I saw the best minds of my generation become freelance strategists
15 February, 2026
On the importance of continuing to Howl.
*the digital strategist, not the hockey player
After nearly twenty years working in the arts, I have a lot of opinions about how the arts should work — particularly when it comes to ticketing and websites.
Sometimes I write about those opinions, sometimes I present them at industry conferences. Here's a selection.
15 February, 2026
On the importance of continuing to Howl.
22 November, 2025
Can we call a book great literature if not everyone can read it?
November 2025
Lots of consultants are keen to sell you on their special, proprietary frameworks for creative problem-solving, with the promise of unlocking wild new frontiers of innovation and efficiency. The truth is, most of these frameworks boil down to the same handful of basic strategies, which almost everyone probably does unconsciously sometimes anyway. Doing these things more consciously won't unlock wild new frontiers of innovation or efficiency — but they might help you the next time you're struggling with a difficult issue.
Everyone's a creative problem-solver!:Read more (external link)
October 2025
For a lot of organisations, the website is just a place to stick information that somebody might resonably be interested in finding. But folks, it’s 2025. The world is more wired-up and digital than it ever has been. Your website can be so much more than a just-in-case reference for people searching for your phone number.
When is a website not just a website?:Read more (external link)
July 2025
Cultural organisations are shaped, driven, and improved immeasurably by the people behind them. But are website profiles the best place to highlight this?
Getting more from - or binning - your website's people pages:Read more (external link)
April 2025
The way your ticketing system shows your auditorium on a seating map might not be how your auditorium actually looks in real life (especially if, thoughts and prayers, your auditorium has a curve in it). So how do you bring the two a little closer together, and make life easier for your website users?
How to make your website seating plan look like your actual seating plan:Read more (external link)
September 2024 • The Stage
Compared to other creative industries, people in theatre are very secretive about their sales figures. More openness will create more opportunities for everyone — but particularly small and independent players trying to break in for the first time.
Sharing box-office data publicly will improve creativity and diversity:Read more (external link)
September 2024
The idea that content is important for websites verges on dogma these days. So maybe it's time for some heresy, too.
Escaping the cult of content:Read more (external link)
July 2024
When you hear the word automation, these days your mind probably goes straight to AI. As more and more companies rush to incorporate AI into their digital products, it’s easy to feel like that’s the only way to innovate with technology, and like you’re falling behind if you’re not using AI for something. Luckily, there are plenty of ways to automate without using AI. In fact, some of the most effective automations might not even involve technology at all.
Automation without AI — a beginner's guide:Read more (external link)
June 2024
Much like pasta, I am a total glutton for peanut butter. I eat it for breakfast almost every day. I also splurge on the fancy peanut butter that's made from just peanuts and salt, and one thing all the fancy peanut butters have in common, I've noticed, is their lid design, which is a beautiful example of a great UX thinking.
What peanut butter packaging can teach you about user experience design:Read more (external link)
April 2024
At the Ticketing Professionals Conference 2024, I put together a panel discussion about what a ticketing system is and what it should do for your organisation. there are a few things everyone agreed were critical. So if you have a ticketing system at your organisation, here are a few questions you should definitely be asking yourself about how well it's working for you.
Four essential questions to ask about your ticketing system:Read more (external link)
March 2024
In 2022, Durham Cathedral launched a brand new website. In 2024, they now have a brand new interactive, self-guided tour, too - thanks to a bit of clever content strategy and just two weeks of extra development.
How product thinking helped us build an interactive, self-guided tour for a cathedral, in less than two weeks:Read more (external link)
January 2024
Fancy packaging design comes at a significant cost to the user experience of your pasta box. And if prioritising visual design over UX design can so brutally mess up the relatively simple user journey of pasta, you'd better believe it can do even more damage to the UX of your complicated website.
What pasta packaging can teach you about user experience design:Read more (external link)
November 2023
The more advanced our computers get, the more tempting it is to streamline things that maybe shouldn't be streamlined to begin with. Here are five questions to help you decide whether your automation project is actually a good idea, or whether it's going to do more harm than good.
Five questions to ask before you automate something on your website:Read more (external link)
October 2022
Cathedral websites, it turns out, face a lot of the same challenges as theatre and other venue websites. But cathedrals have addressed those challenges in some original and often really innovative ways that you almost never see in the arts. So what can cathedrals teach you about your own arts website?
What cathedrals can teach you about your venue's ticketing website:Read more (external link)
August 2022
Almost every (British) venue website you look at has a "What's On" page listed prominently in the site navigation. Here's why that might not be the best idea.
Why you should get rid of your What's On page:Read more (external link)
October 2020 • The Stage
Audience surveys by Indigo, SOLT and YouGov couldn't be clearer - if theatres want audiences to return, they will need social distancing in place.
Theatres must get used to social distancing — it's what audiences want:Read more (external link)
January 2020 • The Stage
Now that you can buy anything online with just a few clicks, why is booking tickets still so difficult?
Theatre's attempts at online ticketing are Kafkaesque - it's time for smarter systems:Read more (external link)